Renaissance, lot #s 101-154, sale # 3707
New York, NY: Christie's, 2015. 4to. Soft Covers. Very Good. 174 pp. Color plates. * There might be an additional charge due to the large size of the book. More
New York, NY: Christie's, 2015. 4to. Soft Covers. Very Good. 174 pp. Color plates. * There might be an additional charge due to the large size of the book. More
Paris: Leonard, Coloniae,, Lutetiae Parisiorum, 1659. Folio. 2 volumes bound in one large in-4 volume (41,4 x 25,5 cm), ; ater green morocco chagrin, spine ribbed, beige parts, speckled edges (modern slipcase). First Parisian edition, rarer and more sought-after than the Roman original of 1651, of Bosio's work, translated into..... More
Los Angeles: Artist's Rights Foundation, 1995. TLS. Invitation to an awards ceremony and gala dinner presenting the John Huston Award for Artists Rights to director Steven Spielberg. Invitation reproduces the signatures of David Geffen, Jeffrey Katzenberg, George Lucas, Martin Scorsese, Barbra Streisand, and Robert Zemeckis. 8.5 x 11 inches. Folded..... More
[Nottingham, UK]: Byron Press, [1971]. BROADSIDES. 32mo. Six Letterpress Cards, Very Good. More
New York, NY: Salander-O’Reilly Galeries, Inc., 1993. 4to. 114 pp. Soft Cover. Very Good. Black & white plates throughout, some color. From the Library of the Pasquale Iannetti, including loan card. More
Berkeley, Calif.: University of California, ca. 1960s. Prospectus for first edition of Raphael Holinshed's Chronicles of England, Scotland, and Irelande, wooduct by Lucas Cranach. Designed and printed by Lawton Kennedy for the enjoyment of his friends. 14 x 20 inches folded down middle. More
[Germany: German Publisher, circa 1850]. Lithograph on chine colle. 27.5 x 22.5 cm. (sheet). Very Good. Light soiling and specks of foxing in the margins. More
Firenze: La Societa Editrice, circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. “Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. More
Berlin: Reichsdruckerei. Reichsdruckerei Facsimile of the woodcut. 33.5 x 23.5 cm. Reichsdruckerei Nr. 223, More
Berlin: Reichsdruckerei. Reichsdruckerei Facsimile of the woodcut in black and gold on a blue background. 27 x 19.5 cm. Reichsdruckerei Nr. 498. More
Berlin: Reichsdruckerei. Reichsdruckerei Facsimile of the woodcut. 38 x 27.5 cm. Reichsdruckerei Nr. 226. More
Berlin: Reichsdruckerei. Reichsdruckerei Facsimile of the color woodcut. 28.5 x 19 cm. Reichsdruckerei Nr. 288. More
Londres: Jean Brindley, 1737. Original engraving. 46.6 x 58cm. sheet size. Centerfold. Tear without loss in upper margin .... OCLC Number 228726949 Text on the print: A portrait of a squire holding the reins of a horse, landscape behind. Plate 10 of the Duke of Newcastle's treatise on horsemanship, ...References..... More
Antwerp: Gillis Hendricx, 1645. Engraving mounted on old laid watermarked paper. 24.3 x 16.3 cm to borderline. Very good. Published in "Icones Principum Virorum Doctorum, Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis numero centum." Antwerp: Gillis Hendricx, 1645....The plan of this publication took shape after Van Dyck returned from..... More
Antwerp: Gillis Hendricx, 1645. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 164). 23.5 x 15.2 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had..... More
Antwerp: Gillis Hendricx, 1645. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 24.1 x 15.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had..... More
Antwerp: Gillis Hendricx, 1645. Engraving on laid paper with fleur-d-lys watermark (Mauquoy-Hendrickx 170?). 22.7 x 15.2 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had..... More
Antwerp: Gillis Hendricx, 1645. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 170?). 23.3 x 15.5 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had..... More
Antwerp: Gillis Hendricx, 1645. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 23.8 x 15.5 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had..... More
Paris: Revue de l'art ancien et moderne, 1901. Sepia etching in sepia formerly attributed to Goya, Eugenio Lucas now, the most talented followers Goya. Published in the Revue de l'art ancien et moderne, printed by Louis Fort. Image measures 9 x 12 cm. More
Pasadena, CA: Typecraft, Wood & Jones, 2013. Folio. [36 pp.]. Very Good. Soft Cover. Printed paper wraps. Staple binding. Color plates throughout. Extremely scarce. Booklet containing essay by Joanna Fiduccia ("John Houck, a history of graph paper, 2013" (8 pages : color illustrations ; 33 cm)) staple-bound in center of..... More
Berlin: Genossenschaft PAN, 1895. Folio,Original wraps, lacking, with original graphic by KRÜGER, ALBERT AND A COLOR WOODCUT AFTER LUCAS CRANACH. Söhn, HDO: 52604- 5, (lacking the the 4 other ones.) Edited by Richard Graul and Caesar Flaischlen. PAN, the important German 21 volume art nouveau periodical (1895-1900), is a deluxe..... More
Antwerp, H. Thieullier, 1694. Folio. Contemorary calf, gilt spine on raised bands, restored. 39.5 x 26.5 cm. [4 with frontisp.]-viii pp., 107 pl. of which some double-paged or folding (marg. tear pl. Genap and Carloo, pl. Rixensart part. missing, pl. "Vue et perspective de la maison et jardin du vicomte..... More
Firenze: La Societa Editrice, circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. “Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. More