Hercules the Gaul, or Eloquence.
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Raphael. Etched plate in brown by Charles Nicolas Cochin. Two blocks printed in shades of brown. 25.3 x 25.4 cm. AKA: Hercule gaulois, ou L’Eloquence. More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Raphael. Etched plate in brown by Charles Nicolas Cochin. Two blocks printed in shades of brown. 25.3 x 25.4 cm. AKA: Hercule gaulois, ou L’Eloquence. More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Raphael. Etched plate by the Comte de Caylus, printed in dark brown. Three blocks: in shades of orange-brown. 28.1 x 20.3 cm. Nagler, 8. Le Blanc, 7. AKA: Christus in Mitter seine Apostel. Jésus au milieu des apôtres. More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Raphael. Etched plate by Paul P. A. Robert, called Robert de Seri, in brown. Block printed in yellow-brown. Nagler, 34. AKA: Studium zum Gemälde der Schule von Athen von Raphael. Estudes pour le tableau de l’Ecole d’Athenes. More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Sebastian Conca. Three blocks: two shades of blue green and black. 45 x 31 cm. Nagler, 23. Le Blanc, 21. AKA: Diane und Endymion. Diane et Endymion. More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Balthazar Peruzzi de Sienna. Etched plate by the Comte de Caylus, printed in dark brown. Three blocks: in shades of brown. Numbered 80 at lower right. 27 x 20 cm. Full page. 80 altered to 86 or 89. Possibly the same print as..... More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Barthelemy Ramenghi. Etched plate by P.P.A. Robert, printed in dark brown. Two blocks: in gray-green and brown. 38.6 x 27 cm. Nagler, 16. Le Blanc, 13. AKA: St. Paulus zwischen Heiligen stehend, oben ein Glorie. Paul (S.) accompagné de deux saintes. Last line..... More
Paris: Imprimerie Royale, ca. 1730s. Woodcut after Raphael Urbino. Etched plate by P.P. A. Robert, painter to the Cardinal de Rohan, printed in dark brown. Two blocks: pale and medium yellow brown. 25 x 35.9 cm. Nagler, 7. Le Blanc, 15. AKA: Christus setzt den Petrus zum Haupte der Kirche..... More
ca. 1980. Calligraphy on wove, dyed paper, 17 x 9". Near Fine. More
1582. Original woodcut. 20 x 14.5 cm. (8 x 5.75 in) in the plate. Signed with monogram and dated in the plate. Very good. More
Weimar: Kessler, 1926. Woodcut in black. Trial proof signed in pencil with the monogram. Subsequently published in The Eclogues, Weimar: 1926. 10 x 10 cm. On wide margined Montval the Maillol/Kessler watermark. Rewald, no. 14. Guérin, no. 21. More
Weimar: Kessler, 1926. Four pages from The Eclogues, Weimar: 1926. with 2 woodcuts: Rewald, nos. 35 and 36. Guérin, nos. 42 and 43. More
Weimar: Kessler, 1926. Woodcut in sanguine. Trial proof signed in pencil with the monogram. Subsequently published in The Eclogues, Weimar: 1926. 9 x 10 cm. On wide margined China. Rewald, no. 30. Guérin, no. 37. More
Weimar, Germany: Kessler, 1914. Woodcut on vellum, probably from the 1914 prospectus for the Eclogues with verso text. Rewald, no. 36; Guérin , no. 43. More
Weimar: Kessler, 1926. Woodcut in black. Trial proof 103 x 114 mm. on China. Subsequently published in The Eclogues, Weimar: 1926. Rewald, no. 17. Guérin, no. 23. More
ca. 1937. Woodcut in black. Trial proof 200 x 140 mm. on laid rag. Prospecuts with the woodcut Daphnis and Chloe lie naked together. Rewald, no. 125. Guérin, no. 125, 2e state. Near fine, with two pieces of tape on the back, upper corners. More
Paris: Gonin, 1950. Trial proof for Les Géorgiques printedon vellum. 145 x 115 mm. mm. One of 100 numbered impressons with the artist's monogram on China. Guérin, no. 170. More
Belgorod, Russia, 1944. Portfolio of 8 color woodcuts. 207 x 270 mm. The images are apparently from 1944, but each is signed and dated "94" in pencil. Russian titles of the places in pencil on verso of each print. More
1921. Woodcut. One of 237 signed and numbered impressions. 18 x 16 cm. Matted. More
1936. Color woodcut. Signed and dated in pencil. Framed and glazed by Clyde L. Smith. More
1783. Woodcut print after Andrea del Sart. Three color blocks: tan, light brown, dark brown. Light brown block lighter in some areas. 255 x 171 mm. Nagler, 25. Le Blanc, 25. Kennedy, 172. More
1782. Woodcut print after Baccio Bandinelli. Brown line on tan paper. 390 x 255 mm. Nagler, 27. Le Blanc, 27. Kennedy, 168. More
1783. Woodcut print after Giorgione. Three color blocks: tan, medium brown, dark brown. 186 x 161 mm. Nagler, 23. Le Blanc, 23. Kennedy, 157. More
1783. Woodcut print after Michelangelo. Three color blocks: tan, medium brown, dark brown. 198 x 154 mm. Initialed and dated. More
1782. Woodcut print after Michelangelo. One line block, brown, on tan paper. 385 x 250 mm. Nagler, 14. Le Blanc, 14. Kennedy, 167. More
1782. Woodcut print after P. del Vaga. Three color blocks: tan, brown and dark brown. 235 x 140 mm. Signed and dated. Nagler, 19. Le Blanc, 19. Kennedy, 180. More