The Two-Faced Man.
[London: ca. 1850?]. Print [Hand-Colored?] 5 x 7 inches, Good with marginal loss, creasing, light staining, paperclip stain. More
British Caricature
Modern Athenians, Plate No. 48: Charles Cuningham, City Clerk, & Adam Black, Lord Provost.
Edinburgh: Adam & Charles Black, 1882. 4to. 6 pp. Colored Double Plate, plus 4 pages of text, Good with marginal tears along text portions. More
John Ross: Author of "Voyage To Baffin's Bay."
London: James Fraser, [ca. 1835]. Lithograph. Oblong 10.75 x 8.5 inches. Good with small tear, some staining, creasing. Previous owner's stamp on verso. More
Samuel Rodgers The Author of "The Pleasures of Memory."
London: James Fraser, [ca. 1835]. Lithograph. 10.75 x 8.5 inches. Good with foxing, small tear, some staining, creasing. Previous owner's stamps on verso. More
Advantages Of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate I).
London: Thomas McLean, 1835. Impression of Etching. Platemark: 10 3/8 x 14 inches. Oblong, Good with tears, losses to edges, minor staining. Second Edition. More
Amativeness, Philoprogenitiveness, Self-Love, Individuality, Number.
London: George Cruikshank, 1826. Etching, Oblong. 10 x 8 inches. Near Fine. Framed, matted, and sealed in plastic. More
Anglo-Gallic Salutations in London - or, Practice Makes Perfect.
London: Thomas McLean, 1835. Impression of Etching. Platemark: 10 3/8 x 14 inches. Oblong, Good with tears, minor staining, losses to edges. Second Edition. More
The Bottle.
London: Broadsheet King, [ca. 1971]. 12mo. Oblong, 8 pp., Stapled Wraps, Very Good. Illustrations. Modern reprint of Cruikshank's 1847 series of etchings inspired by Hogarth's The Rake's Progress, the Temperance movement, with poetry by Charles Mackay. More
The Drunkard's Children.
[New York: ca. 1960?]. Folio (11 x 16 inches). Oblong, 8 Loose Plates, Very Good. Illustrations. Modern reprint of Cruikshank's 1848 series of etchings inspired by the Temperance movement. More
Macaronies Drawn After The Life.
London: Matthew Darly, 1773. Hand-colored Etching on Laid Paper, 9.75 x 7 inches, Oblong. Very Good with repaired losses to lower corners. More
Want To Buy A Razor Cheap Sir.
London: Dean & Son, [ca. 1820]. Hand Colored Print. 7.25 x 10.25 inches. Good with staining, some creasing. More
I Vont Take A Farden Less.
Charing Cross, London: Richard Dighton, [1810]. Folio (8.5 x 13.75 inches). Oblong, Hand-colored etching on wove paper. Very Good. More
A London Nuisance, Plate 1: Passing A Mud Cart.
Haymarket, London: Thomas McLean, 1821. Etching on wove paper, Platemark: 8.5 x 11 inches, Good with small marginal tears, losses, faint staining & minor creasing. More
A London Nuisance, Plate 2: A Heavy Fall Of Snow.
Haymarket, London: Thomas McLean, 1821. Etching on wove paper, Platemark: 8.5 x 11 inches, Good with small marginal tears, losses, faint staining & minor creasing. More
The Old White Lion.
London: Thomas McLean, 1829. Hand-colored Lithograph. 11 x 15 inches. Good with marginal tears, some creasing, light toning. Sitters: John Scott, 1st Earl of Eldon (1751-1838), Lord Chancellor; John Singleton Copley, Baron Lyndhurst (1772-1863), Lord Chancellor and politician; son of the painter John Singleton Copley; Arthur Wellesley, 1st Duke of..... More
The Dispute: To Be or Not To Be a Protestant.
London: S. W. Fores, 1805. Folio (10.5 x 16 inches). Oblong, Hand-colored etching on laid paper. Very Good, mounted on blue paper with marginal tears. More
The Bear And His Leader.
London: John Miller, [ca. 1820]. Hand-colored Etching, Oblong. Platemark: 8 x 11 inches, Good with small marginal tears, losses, faint staining & minor creasing. More
The Light of Other Days is Faded.
[London: John Miller, ca. 1810?]. Hand-colored Etching, 4.5 x 7 inches, Very Good. Mounted on backing paper, with lacy mat covering. More
You're A Pretty Fellow.
[London: John Miller, ca. 1810]. Hand-colored Etching, 4.5 x 7 inches, Very Good. More
The Art Of Tormenting No. 5. Directions for the Minstrels.
London: Charles Tilt, ca. 1834 - 1840. Etching on wove paper. 15 7/8 x 10 5/8 inches (about 40.32 x 27.11 cm). Good with small loss at top right corner, minor foxing, small marginal tears. From "The Caricaturist's Scrap Book." More
Omnium-Gatherum No. 7.
London: Charles Tilt, ca. 1840. Etching on wove paper. 15 7/8 x 10 5/8 inches (about 40.32 x 27.11 cm). Good with minor foxing, small marginal tears. From "The Caricaturist's Scrap Book." More
Omnium-Gatherum: Title Page.
London: Charles Tilt, ca. 1840. Etching on wove paper. 14 x 10 inches (about 36 x 26 cm). Good with minor foxing, small marginal tears. More
Omnium-Gatherum: Title Page.
London: Charles Tilt, ca. 1840. Etching on wove paper, hand-colored. 12 x 9 inches (about 31 x 23 cm). Good with minor foxing, small marginal tears. More
Useful Hints No. 3: Be Sure Your Children Are All Fond Of Their Uncle's.
Fleet Street, London: W. Follit, [ca. 1840]. Hand-colored Lithograph. 10 x 12.5 inches. Good with small tears, creasing & light toning. More
Useful Hints No. 4: Don't Have A Pretty Servant.
Fleet Street, London: W. Follit, [ca. 1840]. Hand-colored Lithograph. 10 x 12.5 inches. Very Good with tiny marginal tear at upper left corner, creasing & light toning. More