Portrait of William Cowper Esq. (English Poet, 1731-1800).
London: Henry Colburn & Simpkin & Marshall, 1824. Stipple engraving. 19.5 x 13 cm (sheet). Very Good, light specks of foxing throughout. More
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Léger: Recent Paintings & Le Cirque.
New York: Buchholz Gallery, 1950. 40 works listed. Illustrated in black and white. 12mo. Wraps. More
Imponderable Joys: The Work Of Austin Cooper, October 15-November 27, 1993
Brandon, MB: Art Gallery Of Southwestern Manitoba, 1993. 8vo. 36pp. Very good. Softcover. Mostly color plates throughout. More
The Autobiography of Methuselah.
New York: B. W. Dodge & Co., 1909. 8vo. 185 pp. Very Good, Grey Decorative Cloth, with staining on cover, edge wear, rubbing, spine slightly slanted, minor damp staining throughout, shelf wear. Provenance: John Ruyle. Former owner's bookplate inside back cover. Signed dedication by Bangs tipped in. 12 Color Plates..... More
Coffee And Repartee and The Idiot.
New York:Harper Bros., 1900. 8vo. 221 pp. Very Good, Beige Decorative Cloth, with staining on cover, edge wear, rubbing, spine slightly slanted, shelf wear. Provenance: John Ruyle, his bookplate inside cover. Former owner's signature penciled on FFEP. Illustrated. Book listed at BAL #742a. More
Thomas Fairfax, 3rd Baron Fairfax of Cameron.
London, 1757. Sitter: Thomas Fairfax, 3rd Baron Fairfax of Cameron (1612-1671), Parliamentary Commander-in-Chief. Engraver: Guillaume Philippe Benoist (1725-1770). Artist: Samuel Cooper (1609-1672), Miniature painter. Line engraving. Image size: 103 mm x 173 mm. Sheet size: 285 mm x 440 mm. Watermarked, "Waldore" More
Portrait of Thomas Chatterton “The marvellous boy who perished in his pride.” Southey. (English Poet, 1752-1770).
London: British Publisher, circa 1826. Stipple engraving. 23 x 15.7 cm. (sheet). Very Good. Light toning along sheet edges. More
An Exhibition of Paintings by G. Braque. Arranged by the Arts Council of Great Britain in association with the Edinburgh Festival Society. Tate Gallery. 28 September - 11 November 1956. [Second impression]. [Exhibition catalogue].
London, England: Tate Gallery, 1956. [Exhibition catalogue]. 4to. 51 pp. Soft white and green printed wraps with black lettering. Good with marginal chipping along bottom of spine and wraps and marginal creasing and offsetting from age. Mostly black and white plates with color illustrated frontis. Includes a foreword by Philip..... More
![Item #65-2192 Chagres, From the Castle Looking Down, 1851 [Panama]. Brown, Severin after George...](https://art-books.cdn.bibliopolis.com/pictures/65-2192.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372871)
Chagres, From the Castle Looking Down, 1851 [Panama].
New York: Henry Bill, 1853. A set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as any of the government publications. These charming lithographs were issued in John..... More
![Item #65-2187 Baraco Realejo [Nicaragua]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2187.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372869)
Baraco Realejo [Nicaragua].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2182 Bathing and Washing Corn at Chinandaga [Nicaragua]. John after George Victor Cooper...](https://art-books.cdn.bibliopolis.com/pictures/65-2182.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372902)
Bathing and Washing Corn at Chinandaga [Nicaragua].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
Battery, Panama.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
Breakfasting on Shore, Nicaragua Lake.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2176 Church in Shinandagua [Nicaragua]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2176.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372814)
Church in Shinandagua [Nicaragua].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
Coaleing Up. Kingston, Jamaica.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2188 Entrance to the River Chagres [Panama]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2188.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372873)
Entrance to the River Chagres [Panama].
New York: Henry Bill, 1853. Line engraving measuring 277 x 137 mm. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as any of the government..... More
Grand Cathederal, Panama.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
The harbour at San Juan, Nicaragua.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2155 Harbour of Realajo [sic] [Realejo, Nicaragua]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2155.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372866)
Harbour of Realajo [sic] [Realejo, Nicaragua].
New York: Henry Bill, 1852. Tinted lithograph. 5.5 x 9 inches. Somewhat time stained; from: LETTS, John M. A Pictorial View of California; Including a Description of the Panama and Nicaragua Routes, with Information and Advice Interesting to All, Particularly Those Who Intend to Visit the Golden Region. By a...... More
![Item #65-2177 Interior of the castle at Chagres [Panama]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2177.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372854)
Interior of the castle at Chagres [Panama].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
The Islands From Panama.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2183 Our Arrival at Masaya [Nicaragua]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2183.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372886)
Our Arrival at Masaya [Nicaragua].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
Panama from the Battery: Cerro Lancon in the background.
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2186 Passing a Rapid on Chagres River [Panama]. John after George Victor Cooper Cameron](https://art-books.cdn.bibliopolis.com/pictures/65-2186.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372868)
Passing a Rapid on Chagres River [Panama].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More
![Item #65-2184 Preparing Breakfast in the Chagres River [Panama]. John after George Victor Cooper...](https://art-books.cdn.bibliopolis.com/pictures/65-2184.jpg?width=320&height=427&fit=bounds&auto=webp&v=1304372887)
Preparing Breakfast in the Chagres River [Panama].
New York: Henry Bill, 1853. Line engraving 277 mm x 137 mm. Drawn by J. Cameron. From a set of rare, contemporary views of California during the Gold Rush, which though not from one of the many official reports of the period, do provide images as accurate and informative as..... More