Houston, Tex.: Watson Gallery, 1986. 4to. 8 pp. Oblong. Very Good. Soft Cover. Typographical paper wraps. Some discoloration to covers. Pages fine. Staple binding. Color plates. From the Collection of the Art Historian Peter Selz. More
San Francisco, CA : David Maxim, [2012?]. 4to. 31 p. Staple wrappings. Very good, slight creasing on cover. Color illustrations throughout. More
Marin, CA: Marin Museum of Contemporary Art, 2012. 4to. 30 pp. Soft cover. Near Fine. Color plates. Features works by David Maxim and essay by Heather Murray. More
[San Francisco, California] : [David Maxim], [2017]. 4to. 68 pp. Soft Cover. Very Good. Illustrated paper wraps. Minor wrinkle on front wrap along spine, else fine. Color plates throughout. Extremely Scarce. More
San Francisco, CA : Graystone Gallery, [2004]. 8vo., oblong. 16p. Stapled wrapping. Very Good. Color prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019). More
New York: Foster Goldstrom, 1989. A three-page foldout brochure. 4 color illustrations. Introduction by Andrea Schneider. Very Good, light toning and rubs to the brochure edges. Provenance: from the collection of the Art Historian, Peter Selz. More
New York: Foster Goldstrom, 1989. 4to. 24 pp. Soft Cover. Stapled binding. Color illustrations throughout. Signed in ink by the artist on the title page. Very Good, light sunning on cover. Provenance: from the collection of the Art Historian, Peter Selz. More
San Francisco, CA.: Graystone Gallery, 2004. 8vo. Oblong. [16] pp. Soft Cover. Stapled binding. Color plates throughout. Signed by the artist on the title page. Very Good, damp spots on the corners of several pages. Provenance: from the collection of the Art Historian, Peter Selz. More
San Francisco, CA.: Space 743, 1996. 8vo. [24] pp. Soft Cover. Stapled binding. Color illustrations throughout. Very Good, light sunning along spine and on cover. Provenance: from the collection of the Art Historian, Peter Selz. More
San Francisco, CA.: David Maxim, 1998. 8vo. [48] pp. Soft Cover. Color and black and white illustrations throughout. Very Good. Provenance: from the collection of the Art Historian, Peter Selz. More
