 | Accolti, Pietro. Lo Inganno de gl'Occhi, Prospettiva Practica. (Perspective for Arists). Florence, 1625. (ltal.) 168 pp. $50.00. ISBN 0-915346-60-5 An important contribution to the theory of perspective and vanishing points. (Brunet VI, 495). |  | Barbet, Jean. Livre d' Architecture d' Autels, et de Cheminées. (Architecture of Altars and Chimneys). Paris, 1633. (Fr.) 2 vols: 40, 24 pp. $55.00. ISBN 0-915346-59-1. One of the earliest "pattern books" of designs for use by artisans. Engravings by Abraham Bosse (Graesse 1, 289). |
 | Aglionby, William. Painting llustrated in Three Dialogues. London, 1685. 418 pp. $60.00. ISBN 0-915346-50-8. Includes the first English translation of Giorgio Vasari's writings on the lives of eminent artists. (Wing, STC 764). |  | Bartoli, Cosimo. Del Modo di Misurare. (On Measurement) Venice, 1564. (Ital.) 294 pp. $50.00. ISBN 0-915346-67-2 An important contribution to art and architecture, which applied Euclidian geometry to measurement and perspective. (Graesse 1, 303). |
 | Alberti, Leone Battista. De Pictura Praestantissima. (On Painting). Basel, 1540. (Lat.) 128 pp. $35.00. ISBN 0-915346-55-9. The first modem theory of painting to promote modern practices without suppressing individualism. (Brunet I, 131). |  | Camilli, Camillo. Imprese Illustri di Diversi. (Impressions of Famous Men). Venice, 1586. (Ital.) 3 vols: 18, 96. 56 pp. $55.00. ISBN 0-915346-66-4. Illustrated with a series of miniature copper engravings by Girolamo Porro. (Brunet I, 1514). |
 | Aringhi, Paolo. Roma Subterranea Novissima. (The Catacombs of Rome). Paris, 1659. (Lat.) 2 vols: 386, 418 pp. $160.00. ISBN 0-915346-61-3. Provided Renaissance artists with the elabo- rate mass of symbols used in early Christian rites. (Brunet 1, 423). |  | Desgodetz, Antoine. Les Edifices Antiques de Rome. (The Ancient Buildings of Rome). Paris, 1682. (Fr.) 324 pp. $135.00. ISBN 0-915346-49-4. The first work to depict in architectural detail the ruined buildings of classical Rome. (Brunet II, 625). |
 | Bellori, Giovanni P. Le Amiche Lucerne. (Ancient Funerary Lamps). Rome, 1691. (Ital.) 3 vols: 96, 108, 80 pp. $60.00. ISBN 0-915346-70-2. Describes the ancient funerary lamps found in the catacombs of Rome. Engravings by Pierro Santi Bartoli. (Brunet I, 759). |  | Dondé, Antoine. Les Figures et I'Abbregé de la vie, de la mort, et des miracles de Saint François de Paule Paris, 1671. (Fr.) 258 pp. $50.00. ISBN 0-915346-64-8 Sketches the life of the influential religious ascetic. Engravings by Bosse, Le Pautre, and others. (Brunet II, 809). |
 | Dürer, Albrecht. Underweysung der Messungmit dem Zirckel und Richtscheyt. (A Course in the Art of Measurement with Compass and Ruler). Nuremburg, 1525. (Ger.) 180 pp. $65.00. ISBN 0-915346-52-4. Record's Dürer's final theories of art. The first work to provide German artists with both theoretical and practical methods of utilizing geometry and instruments in drawing. (Brunet II, 912). |  | Gautier, Henri. L'Art de Laver, ou Nouvelle Manière de Peindre sur le Papier. (Watercolor Painting). Lyon, 1687. (Fr.) 154 pp. $30.00. ISBN 0-915346-63-X One of the earliest European works on the techniques of using watercolors. |
 | Fabretti, Raffaelo. De Aquis et Aquaeductibus Veteris Romae. (Aqueducts of Ancient Rome). Rome, 1680. (Lat.) 216 pp. $50.00. ISBN 0-915346-51-6 Compares the aqueducts and topography of Rome with the classical printed texts of the day. (Brunet II, 1148). |  | Junius, Franciscus. De Picture Veterum Libri Tres. (Renaissance Artists). Amsterdam, 1637. (Lat.) 354 pp. $60.00. ISBN 0-915346-68-0 An early attempt to catalogue the major Renaissance artists and their work. (Brunet III, 600). |
 | Félibien des Avaux, André. |