Alphabet Sheet.
[Paris, France: ca. 1860]. 19.5" x 13" (image size) Good with tears. Original uncut sheet of binding paper, one side black & printed with gold letters. More
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Results 1 - 23 (of 23)
Print No. 128 by Brepols & Dierckx Zoon.
Amsterdam: Brepols & Dierckx Zoon, [1870s]. Large format color broadside (Bilderbogen) 15” x 12”. Very Good. Minor losses on left, right and bottom edges, repaired with tape on verso. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal (Vosges), the images d'Épinal were inexpensive woodcuts and..... More
Vlaamse Pockets. Dubbele Delen. (Poster).
Brussels: België Hasselt, [ca. 1960s - 1970s]. Large format color print poster 22” x 16”. Good. One inch tear on left side, and minor losses and creasing on lower right side. Text in Dutch. More
Exposition Charleroi 1911.
Charleroi, Belgium: 1911. Advertising Stamp Label. 3.5 x 5.5 cm. Very Good. Text in French. More
Studieboeken
[Amsterdam?: 20th Century Belgian or Dutch Publisher, circa 1970s-1980s]. 60x48 cm. Black and white poster. Very Good. Text in Dutch. More
Why Belgium Was Devastated as Recorded in Proclamations of the German Commanders in Belgium, Extracted from the Official Report of the Belgian Commission of Inquiry.
[Washington, D. C.: The Belgian Legation], ca. 1918. Printed by W. Stewart Brown Co., Baltimore, Md. 10 pp. Very good in wraps. More
The Innocence of Belgium, Established by the Military Documents Published by Germany, Extracted from a Statement Issued by the Belgian Legation, Washington, D. C.
Washington, D. C.: The Belgian Legation, ca. 1918. Printed by W. Stewart Brown Co., Baltimore, Md. 10 pp. Very good in wraps, with some offsetting. More
Belgian Wood Industry.
Brussels: Editions Saturne, 1950. Unpaginated brochure. Black and white photographs. Color wrappers. More
Kameradschaft (black and white still)
[Brussels]: BRT Persdienst, 1979. Black and white glossy photograph. 5 x 7 inches. Very Good. Printed in Belgium. Still from Kameradschaft (1931), directed by G. W. Pabst. More
Artemis, 1897.
Paris: L’Estampe Moderne, 1897-1899. Color lithograph. 41 x 31 cm (sheet). artist’s name and date printed in lower right of image ‘A. Donnay ‘97’, with the blindstamp of L’Estampe Moderne (Lugt 2790), printed by L’Imprimerie Champenois, edited by Charles Masson and H. Piazza, with the original tissue paper guard. Very..... More
Francoise Gerard.
[Belgium: Belgian Publisher, 1979]. 8vo. 40 pp. Soft Cover. Color and black and white plates throughout. Very Good, with marginal rubs, minor surface soiling to covers,light toning to interior sheet edges. Scarce. More
Etude sur quelques artistes originaux. Félicien Rops, l'homme et l'artiste. First edition
Paris: H. Floury, 1908. 233, [1] pp. Illustrated with plates and in-text b&w reproductions from the designs of Félicien Rops, tissue guards. 24.7x19 cm (9¾x7½"), quarter-leather and paper-covered boards. Original wraps preserved but front cover is loose..... Collector stamp on title page. Some pencil underlining. Original front wraps laid in..... More
Derriere le Miroir. Nos. 105-106. (Cover).
Paris: Maeght editeur, 1958. Color lithograph on wove paper. 38 x 55.5 cm (sheet). Not hand signed or numbered. Text on verso in French. Printed by Mourlot. Very Good, upper left sheet lightly bumped. More
D’apres la maquette du vitrail de la chapelle St. Bernard.
Paris: Derriere Miroir, No. 142, 1964. Color lithograph on wove paper. 38 x 55.5 cm (sheet). Not hand signed or numbered. Printed by Maeght, Paris. Very Good, the usual center fold. More
![Item #76-1026 [Le Champ Rouge], from ‘Derriere Miroir.’. Raoul Ubac, Belgian](https://art-books.cdn.bibliopolis.com/pictures/76-1026.jpg?width=320&height=427&fit=bounds&auto=webp&v=1775841366)
[Le Champ Rouge], from ‘Derriere Miroir.’
Paris: Derriere Miroir, No. 142, 1964. Color lithograph on wove paper. 38 x 55.5 cm (sheet). Unverified signature in pencil. Text on verso in French. Printed by Maeght, Paris. Very Good, the usual center fold. More
One Plate from ‘Pierre Ecrite,’ les poemes d’Yves Bonnefoy.
Paris: Maeght editeur, 1958. Color lithograph on wove paper. 38 x 28 cm (sheet). Not hand signed or numbered. Text on verso in French. Printed by Mourlot. Very Good. More
One Plate from ‘Pierre Ecrite,’ les poemes d’Yves Bonnefoy.
Paris: Maeght editeur, 1958. Color lithograph on wove paper. 38 x 28 cm (sheet). Not hand signed or numbered. Text on verso in French. Printed by Mourlot. Very Good. More
![Item #76-1025 [Rocky Ground], from ‘Derriere Miroir.’. Raoul Ubac, Belgian](https://art-books.cdn.bibliopolis.com/pictures/76-1025.jpg?width=320&height=427&fit=bounds&auto=webp&v=1775841366)
[Rocky Ground], from ‘Derriere Miroir.’
Paris: Derriere Miroir, No. 142, 1964. Color lithograph on wove paper. 38 x 55.5 cm (sheet). Unverified signature in pencil. Text on verso in French. Printed by Maeght, Paris. Very Good, the usual center fold, a few light surface rubs. More
Une Pierre (DM06105), from ‘Pierre Ecrite,’ les poemes d’Yves Bonnefoy.
Paris: Maeght editeur, 1958. Color lithograph on wove paper. 38 x 55.5 cm (sheet). Not hand signed or numbered. Text on verso in French. Printed by Mourlot. Very Good. More
Untitled (DM04105d).
Paris: Derriere Miroir, 1958. Color lithograph on wove paper. 38 x 55.5 cm (sheet). Not hand signed or numbered. Text on verso in French. Printed by Maeght, Paris. Very Good, the usual center fold, a short tear at bottom sheet edge (extending .5 cm into image). More
Jacob van Liesvelt, Imprimeur à Anvers au 16e Siècle. (Jacob van Liesvelt, Printer in Sixteenth-Century Antwerp). First edition of the engraving.
Antwerp: F. Bizolier, mid 19th Century. Handcolored engraving. 42.3 x 35cm. sheet size....Marginal tears and foxing. Bibliographic references: Phildelphia Museum fo Art, 985-52-7482; Taubert, Sigfred; Bibliopola; Hamburg : Hauswedell; 1966; Bd. 2; S. 23. More
La Femme au Masque, from ‘Felicien Rops: L’Art et la Vie. Preface de Pierre Mac Orlan. Essay by Jean-Dubray, illustrating Rops.’
Paris: Marcel Seheur, 1928. Color heliogravure on cream wove paper. 25 x 19 cm (sheet). Signed and dated ‘97’ in the plate. Very Good, a few specks of foxing, toning along sheet edges. More
Round Stones.
[U.S.: American publisher, circa 1990]. Aquatint on wove paper. Signed in pencil and numbered 17/25. Tipped in folio with title and letterpress text. 10.5 x 17.5 cm (plate). 27.5 x 35.5 (sheet). 37 x 51 cm (folio). Very Good. Remains of tape along top sheet edges. More
Results 1 - 23 (of 23)